OK, here's the scoop. I have decided to learn French techno-babble for weaaving. I was poking around the "net when THIS popped up
on a blog by a weaver in Lorraine, Fr (Joan of Arc's hometown) I went to her page right away..firstly, she very properly gave the correct attribution, second, or maybe first, after all, I was totally gob-smacked that somebody was weaving up one of my designs! (this appeared in "Weavezine" as a bit of holiday whimsy.."Humbug"..get it??? there is also a sheep saying "baa").
Flash forward and the friendly embers have ignited and a lot of email about weaving and looms etc has been exchanged including some drafts. My written French is getting the rust out of it. (I learned in what I call "the University of the Street" so my spoken French is fluid, but, writing it is a challenge since I feel insecure...I do make myself understood, tho, apparently.
ANYWAY, have downloaded some vocab lists (getting back to the reason I was poking around to start with) and have ordered a couple of "How to Weave" books in French.
BTW, this delightful Sandrine, my French connection, blogs and has a forum here http://tricofolk.info She does astounding work!
SO, I am looking thru my clip art and "inspirtation" collections to start plotting out some new taqueté work. Also looking at some lovely crepe weaves.
Ceci a apparu sur un blog par un tisserand dans la Lorraine, le Fr (la ville natale de Jeanne d'Arc) j'ai constaté que c'a été l'accident! Je suis allé à sa page tout de suite .. premièrement, elle très a correctement donné l'attribution, deuxièmement, ou peut-être d'abord, après tout, j'étais totalement flattée que quelqu'un réalisait un de mes designs! (Ceci a apparu dans "Weavezine" comme un peu de caprice pour la saison de Noel. ( Le petit bête -"bug" en anglais, dis "Humbug!" Il y a aussi un mouton disant "baa", et voilà Monsieur Scrooge, de Dickens, qui aimait dire "BAH, HUMBUG!)
Le flash en avant et les braises amicales s'est enflammé et beaucoup de courrier électronique au sujets-tissage et des métiers à tisser etc a été échangé incluant quelques projets et brefs. Mon français écrit en obtient la rouille. (J'ai appris dans ce que j'appelle "l'Université de la Rue" donc mon français parlé est le liquide, mais, l'écrivant est un défi puisque je sens un peu non-confidante. Mais je me fais vraiment comprendre, il semble. De TOUTE FAÇON, ont téléchargé quelques listes de vocab (le retour à la raison que je poussais autour pour commencer par) et ai commandée deux ou trois "Comment Tisser" des livres en français. En fait, mon connexion français, blog et ecrit un forum ici http: // tricofolk.info Elle fait le travail étonnant! AINSI, je regarde à travers mon clipart et des collections(ramassages) "inspirtation" pour commencer à comploter d'un peu de nouveau travail de taqueté. Aussi une certaine charmante armure "crêpe". En avant!
Now that that is off my chest, I want to say a few words about "iWeaveit' mostly because the subject has popped up on Facebook and a couple of other places lately.
This is a very nifty little app and I love it...and, no, I am not selling it or getting any "considerations," I just think it's a nifty little app! Canyon Art does a lot of other very nifty software for weaving as well as the "iWeaveit" app.
If you look at the video here: https://www.facebook.com/199914708627/videos/vb.199914708627/1728956584129/type=2&theater
you might see, sticking out from under the loom, a sheet of paper with columns of numbers. This is how I was keeping up.
ah...found the vid dl:
Everybody knows by now that I do a lot of taqueté weaving and, if you've ever done multi-colour designs in this structure, you know that keeping up with the sequence of picks is crucial. Now, the app does a lot of other tasks for you, but this is the one I love: I had been printing out my drafts as text documents, meaning that everything came neatly out as rows and columns of numbers for the shafts and picks. I would stick these sheets (some designs took three or more) to foam core and move a t-pin after each shot. "iWeaveit" keeps up with this for you...plus, I can go away to see if the dogs are trying to rip each other...or my pillows...to pieces and come back and know exactly where I was.
Je veux offrir ici quelques mots "d'iWeaveit ' surtout parce que le sujet a surgi sur Facebook et deux ou trois autres endroits(places) récemment. Http: // www.weaveit.com/ Ceci est un petit app(application) très habile(rapide) et je l'aime ... et, non, je ne le vends pas ou n'obtiens pas "de considérations", je pense juste que c'est un petit app(application) habile(rapide)! L'art de Canyon fait beaucoup d'autre logiciel très habile(rapide) pour le tissage(l'entrelacement) aussi bien que l'app(application) "iWeaveit". Si vous regardez la vidéo ici : https: // www.facebook.com/199914708627/videos/vb .199914708627/1728956584129/type=2*thea ter Vous pourriez voir, en dessous de le métier à tisser, une feuille de papier(journal) avec les colonnes de numéros. C'est ainsi que je vois chague rame. Tout le monde sait à ce jour que je fais beaucoup de tissage de taqueté et, si vous avez jamais fait des designs( multicolores dans cette structure, vous savez que le maintenant au niveau de l'ordre de pioches(choix) est crucial. Maintenant, l'app(application) fait beaucoup d'autres tâches pour vous, mais ceci est celui que j'aime : j'avais imprimé mes brefs comme des documents de texte, signifiant que tout est venu soigneusement de comme des rangées et les colonnes de numéros pour les puits et les pioches. L' iWeaveIt, c'est beaucoup plus convenable! Ici se trouvent des "screen shots"
Well, back to drafting. Looking to do some taqueté work on my "Little Weaver." I am exploring some Celtic symbols, esp those connected with healing. Will work them up on the same threading as the "angels" so as to get max use out of the warp.
Well, ripped the whole thing out and started again with cast-on. I had really misread the instructions and it was a MESS, but, now the whole thing is going well and am excited about th eventual outcome. I also realised that, having used the "x-large" instructions, the thing would have been more appropriate for a baby elephant, so, this works on several levels.
Back to weaving at some point, but, I am getting a tad "OCD" about this project.
Well, not drinking your way there. I am learning to knit lace. OK..picked out a fairly simple pattern, some GORGEOUS Noro yarn (on sale, mes amis, ON SALE!). TWO big discoveries: this weight yarn really goes a LONG way and I think I have more than I actually need. I might get 2 jumpers out of this deal and, well, lace knitting (at least when you're new at it) is kind of tricky. I keep ending up with four perfect lace sections and a couple that are a MESS!
SOOOO, learning to rip out like a master...on my fourth "rip"
Here's the deal: both me grandmothers were REALLY good at knitting, crochet etc. I have their pictures on my mantlepiece and so they are staring me down during this whole process. I feel like if I let it go and don't FIX it, they would NOT be happy with me.
OK, Grandmas, I'm on it!!!!!!!
Wonder if finishing it will make me skinny and having long, curly, blonde locks? (Hey, I can dream!)
My mouth is watering, but, even could I afford this wonderful gadget, where the HELL would I put it??? Also would have to reinforce the floor. Oh well. Lottery tickets, anybody?
just finished building our second Technical Education Loom (TEL) and
are proud to say there's no other loom like it in the world. At 8.5'
tall and weighing close to 900 lbs., this custom Jacquard loom does 3D
weaving (up to 1/2" thick) and will be used to train workers in the
aerospace industry who make parts for jet engines in planes. Its custom
Rapier system designed specifically to work with technical fibers (fiberglass and Kevlar)
I made this fabric several years ago and sewed up a nice blouse with it. I am planning to duplicate it as closely as possible for a new blouse. ALL in my all-time favorite, "Rosie the Riveter" pattern from Folkways!
I mentioned in a previous post that I shared my Brooklyn flat with a budding costume/hair tech, Peggy Schierholz. After five years of sharing that huge, rent-stabilized old flat, we both moved on and lost touch.
Well, I'll be darned if I didn't run across a piece about "The Americans" and found out that the genius behind all the wigs they use on the show is none other than my old flatmate! Well, I knew she had talent! Also glad she's found a steady job...LOL. Seriously, not to "name-drop" or anything, I'm just pleased as punch that she has done so well!
Just some background on me and the the-ay-ter: I started life thinking that the only thing I could do well was sing and dance and act and concentrated lots of time, money (well, more like poverty) on studying for all that and LOVING "theatre." (I was this little local "star" back in Fort Lauderdale during HS. If my picture wasn't in the paper at least once a month, I got nervous. LOL) Then I got to NYC and started in with "show business" and realized that a) I really wasn't cut out for THAT and b) I hated the whole milieu.
Glad I found this out fast enough that I was still sufficiently YOUNG to "change horses in midstream," and the Fashion Institute was there for me, with majors in textiles. Still, I met some very neat folks, most of whom I have had to "leave behind" since we no longer travel in the same circles, and Peg is one of them. Well, so it goes, but, as said, VERY pleased for her.
BTW, as to being apt for "show business:" I recommend to the up-and-coming generation that you find this out FIRST before you spend all your time and money on various lessons.
A HS friend's dad was a portrait artist. They had plenty of room, so we used his studio for rehearsals. He had worked for the Hollywood studios in his youth (he was a lot older than most of our parents) so we once asked him about performing vs visual arts. I have since adopted what he said as a sort of mantra: "Well, kids, acting is all very well, but, when it's over, it's over, and you have nothing to get you food and a roof, but, if you paint, you can always trade a picture for a hot-dog."
If you do patterns in knitting, esp lace, I find it kind of "eats up" stitch markers. While you can use anything from a piece of contrasting yarn to a safety pin, it's still fun to have some cute, amusing little stitch markers to use. They can be kind of pricey, esp if you need, as I did recently, about 25 of them. SOOO, I checked into "jewelry findings" I picked up a bag of 50 cheap little "charms" (about $4 on amazon) and a bag of 100 "jump rings" from a jewelry-findings supply place at about $1.99 and made my own! Easy-peezy!
Finally getting back to the stoles I am planning to make for the Jonathan Daniels observance. I have settled on "Blessed are they who hunger after justice, for they shall be filled." In the drafting stage, this is coming in at a length of 111 inches, but I will know more once I get the silk samples woven. I am thinking of doing one each in French, English and Spanish. The only problem is the French, which presents having to do an "x" in this alphabet I am using ("heureux") and it's a b*****. Or, a "vache" since this is French. And I am "vachement embetée" by this whole thing. The "x" is so stylized that it inspires a "huh?" moment. or perhaps a "quoi, donc?" moment. or the classic "WTH?" moment. Hélas.
back to it!!
Just stopping by to apologize to ANYBODY who might be following my blog....due to all these boring surgeries, etc, haven't been doing much of anything but knitting. That said: Last time I was stuck in recovering from the nasties, I learned how to turn a heel, and knit mittens, so this round is seeing me learning to knit lace! This is really absorbing. I've done a couple of cowls as gifts and want to move on to a long-term project of a shawl. Gotta get my counting down pat, first!
Also thinking up new taqueté designs. Once I get the Little Weaver back together, going to put a warp on it and "run them up the flagpole."
That's about it, except to say how much in love I am with the NORO line of yarns! They're kind of addictive! Pricey, but, I keep an eye on sales and ebay!
The other event is going to be tackling my poor little garden with a weed torch! (hose kept handy, of course) Those weeds are GOING DOWN. Aside from a few veggies, I am going to start planting some dye plants. After all these years of reading Deb Luce McClintock's adventures in dyeing...I am keen to try it. She's here..worth checking out https://www.facebook.com/deb.l.mcclintock?fref=ts
Also looking for a printmaking buddy if anybody nearby wants to get into some screen-printing!
And, also, been more faithful about keeping up with the studio's FB page here
Wishing anybody out there a great New Year! (after 2014, I decided to skip the black-eyed peas this year and things are already looking up LOL...maybe the peas recognize that I am only HALF Southern..(but, as they say, that part is "by the Grace of God!") Doing a lot of ancestry.com last year while "laid out" and have realized that, in both the War of Independence and The Civil War, I would've had half my ancestors shooting up the other half. Interesting. (Dad's family is a mix of Brits and New Englanders, with the occasional Canadian getting under the covers.)
When a deacon friend, saw the “Brooklyn” design, she asked me if I would do a stole for her with a “tree of life” on it. Deacons wear the same stoles as priests, but draped over to the side. I did one based on the tree in the “Brooklyn” design, then I saw this one, a Shaker design.It just seemed so lovely, so I drafted it out. I was up until about 3 A.M. in a fog of delight. So far, so good, but, as ever, the “proof is in the pudding” so I won’t know until I get the samples woven how it really is going to work. I am thinking about some other motifs to add to it. I am going to design a little cross for the part that goes behind the neck that is in the same style as the tree.I wonder if I will EVER exhaust the design possibilities of this technique? I guess the next step for me is to try FIVE colours and also blending. DEEP BREATH. AND I need to get the elift working on my 40-shaft loom!
Working on a taqueté of our beloved "Cahaba Lilies" It involves getting the colours as basic as possible. On the bottom is the original photo, on the top is the first try at getting it into a "taqueté-friendly" form. I will "lose" the leafy background...maybe.
It's times like these that I wish I had a Jacquard loom. Well, perhaps someday.
In the meantime, with 40 shafts, I can do quite a lot. the trick is drafting it correctly.